First Mass
Remembered
by Michael Gannon, Ph.D.
The site of the first parish Mass in North America (north of
Mexico), celebrated, as we saw in last month’s column, on Sept.
8, 1565, was ever after regarded with reverence by the residents
of Spanish St. Augustine. Over 200 years later, in 1769, a
cartographer named Juan José Elixio de la Puente executed a
detailed map of the city and environs. Where the 204-foot high
Great Cross stands today Puente wrote:
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Our Lady of La Leche Chapel on the
grounds of Mission Nombre de Dios in St.
Augustine. |
Place called Nombre de Dios (Name of God),
which is the same where the first Mass was said
on September 8, 1565…and afterwards an Indian
mission was built there, with a chapel in which
was placed an image of María Santisima de la
Leche.
Devotion to Our Lady of La Leche, honoring
Mary’s role as Nursing Mother of the infant
Jesus, was brought to St. Augustine from Spain
in the early 1600s. The chapel that Puente makes
mention of was destroyed by English forces from
Carolina in 1728. Rebuilt, it was leveled again
by storms. Eventually, its coquina shell rock
blocks were used in the construction of a new
parish church, later a cathedral, on the city’s
central plaza.
Following cession of Florida to the United
States in 1821, the mission and chapel property
fell into private hands. Return to church
ownership did not take place until 1875 when
Florida’s first resident bishop, Augustin Verot,
purchased the historic site from a friendly
seller for the sum of one dollar.
On the still-existing foundations Bishop Verot
erected a new chapel to Our Lady of La Leche. In
the same year, he sailed to France where, among
other projects, he commissioned a priest-artist
named Louis M. Lambert to paint the First Mass
scene, as described three centuries before by
its celebrant, Father Francisco López de
Mendoza. He also ordered 500 photo engravings of
the completed painting.
Father Lambert shipped the painting and
engravings to St. Augustine in 1876. Measuring
eight by 10 feet in size, the oil painting was
hung over the then-existing doorway on the east
wall of the Cathedral. On the photo engravings
of the painting, which were distributed widely
in the United States, Bishop Verot wrote: “With
Religion came to our shores Civilization, Arts,
Sciences and Industry. ‘Piety is profitable to
all things, having promise of the life that now
is, and of that which is to come (1 Tim 4:8).’
Augustin Verot (signature), Bishop of St.
Augustine.”
The painting hung in the Cathedral until 1887.
On April 12 of that year, at 3:00 in the
morning, fire broke out in the laundry of the
St. Augustine Hotel, which adjoined the
Cathedral on the east side. Within an hour the
flames engulfed the Cathedral. Only the two bare
lateral walls and façade survived. On the east
wall where Father Lambert’s painting once hung,
the visitor could see only the scarred outline
of a frame.